★★★★★ Eilidh Loan’s follow up to Moorcroft, is a family drama about grief and a formidable matriarch. The eponymous Cathy, played to perfection by Elaine C. Smith is crushed by…
★★★★ There’s something inspired about doing two-person stand-up. Rohan Ashar and Mani Ahmed have this great double-act energy, and a machine-gun approach to gags. From the outset I was completely…
★★★★★ It’s great to see Jamie Rea, a figure central to Scotland’s deaf creative scene for years, finally taking centre stage in The Singer. Opening with the divine Hannah Jarrett-Scott…
★★★★ Chiara Fumanti and Andrea Guerini’s darkly comic theatre piece asks us if we ‘ever wondered what the person next to us is thinking?’ A dangerous question to ask at…
★★★★ When disabled comedy acts are promoted, the media will often lead with the disability, not the comedy. Aidan Greene explains that when he’s interviewed, he’s a ‘human interest story’…
★★★★ Every now and again, a character comes onto the stage that you’re immediately enraptured by. Róisín is fast-talking, honest and funny with a vulnerability that shimmers. That she lets…
★★★★ Ryan Stewart’s alter-ego Goody Prostate, a German “deranged cousin of Ronald McDonald”, is strutting about in sequined lederhosen, preparing for a big show. Well, it’s Drag Storytelling at a…
★★★ Jonny Brace’s new play is a gift for actor Tiffany Marina Pearmund. The character of Ace is so fully formed, she’s real. Navigating a night-club as if it were…
★★★ Spencer Waldner’s solo play promises much. It’s a confessional, an expose of man who became unable to conceal any truth after contracting COVID-19. Spencer addresses us in the opening…
★★★★★ On paper, a musical about Endometriosis shouldn’t work. It’s a serious medical condition that affects 1 in 7 women worldwide, yet for something so crippling, it takes on average…
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