★★★★ The New York stand-up sensibility is very different from the U.K’s. There is much more of a leaning into one-liners as an expectation, it’s more formalised. I think this…
★★★★ As soon as Margolyes takes to the stage, resplendent in her kimono and glitzy jewels, the audience erupts in applause. She’s beyond a national treasure. Yet, for Miriam, it’s…
★★★★ If we lived in a society where the arts were properly funded and respected, Paul Wady would be professor emeritus in a grand Victorian lecture hall, educating an eager…
★★★★ Have you ever been to a Fringe show that starts with the narration from an infamous Autism Speaks video remixed with Metallica? Neither had I before going to see…
★★★★ Megan Margaret Moore inhabits Suzette, the epitome of the Hollywood starlet. Beginning with her ‘interview’ with Wade Madsen’s unseen director booming commands, we are transported into a dreamlike world.…
★★★★★ There’s always a slight tension when I walk into a stand-up show. I always thought I didn’t like stand-up; I realise I don’t really like middle-class male stand-up! …
★★★★ The Beehive Inn on The Grassmarket has a distinct vibe, from the sounds of an ‘enthusiastic’ busker wafting through the windows, to the ornate fireplaces and stale-beer infused carpets.…
★★★★ Cerys Bradley’s work-in-progress show is a ‘pick your path’ interactive performance, where an audience member becomes the central character of a highly-detailed fantasy story. Bradley could’ve easily presented this…
★★★★ On the same day the Edinburgh Fringe had to endure Liz Truss being interviewed with the insight and rigour of a toddler pushing blocks into a shape sorter, across…
★★★ Donaldson gives us the visually impaired Geordie experience, complete with sarky pre-recorded audio description from an ‘actor who should’ve been paid more’. Yet for its integrated accessibility, it’s knowingly…
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