★ ★ ★ ★ ★
Stepping into the back of the Crescent Arts Centre, you are transported via a glittering mirrorball to an old-fashioned cabaret bar, a million miles from all the horrors of this world. Contemporary classical pianist Ruth McGinley approaches the Steinway and for the next 80 minutes, plays us through fleeting moments of musical storytelling that hold us tight, never letting go.
To see Ruth at the piano, is something to behold, the emotion in her face, the power that seems to be coming from deep within as she plays, there is a real force of nature flowing. Her opening of Philip Glass, showed her ability and dexterity. Her choice of Arvo Part, Erik Satie and Chick Corea were inspired. Where else would you see these compositions on the same set?
McGinley is funny and informed in her asides between medleys. Giving insightful details to her choices, how they have been composed and her own take on them.
There is no doubt that McGinley is one of the finest pianists you’ll see. The entire audience was enraptured by her playing. Not only was the music transient, it was also transformative. I think we all felt a lot lighter after her playing. What a gift to bestow.
Ruth finished with re-imagined Irish Airs written by Belfast composer Neil Martin, taken from her new album Aura released at the end of this month.
It was a beautiful performance, a unique and intimate experience that only a festival like Bounce could provide.
